03. Time
Some thresholds aren’t fixed. They expand and retreat—not with doors or walls, but with the rhythm of water.
In the coastal city of Gijón, Spain, an elevated promenade traces the line between urban life and the sea. Below, a broad stretch of sand opens up in the morning, transforming into a temporary landscape of occupation. Families settle in for the day, children run barefoot at the water’s edge, and people gather—scattered across the sand with books, towels, and time. The space feels generous, assured. A kind of open-air plaza, shaped not by architecture, but by the absence of the tide.
Later in the day, that threshold vanishes.
The same promenade. The same path underfoot. But below—where the sand had held so much life only hours before—there is only water. The tide has risen with quiet certainty, reclaiming what had seemed, just that morning, like solid ground. The beach is submerged, its borders redrawn by the sea. There are no traces left behind—no towels to gather, no footprints to wash away. What remains is stillness. A soft mirror of sky on water replaces the layered textures of movement and gathering. The shore now occupies the space that was once occupied by people. It is not empty—it is full in a different way. The threshold has shifted from a place of interaction to a place of pause.
And then, the next morning, the threshold returns. The sand reappears. The gathering resumes.
This daily transformation reframes the idea of threshold. Here, the line between city and sea is drawn and redrawn with the tide. It is not a boundary made of wood or concrete, but one formed through rhythm and repetition—a spatial threshold defined by presence and absence.
It is a reminder that thresholds do not always require doors, steps, or constructed transitions. Sometimes, they are temporal—fluid moments that shift perception, access, and occupation. In this case, the edge is both constant and impermanent. The design is natural, but its influence on spatial experience is precise.
Such thresholds invite reflection on the ways architecture can respond to the ephemeral. They challenge us to consider not just how spaces are built, but how they breathe—changing with time, season, and tide.